The most intriguing aspect of Burnt by the Sun to me was the idyllic country house where the film took place - as a symbol, a metaphor, and as an aesthetic element. Some of the elements that caught my eye were the all wood interiors, lace curtains and glass doors, the china and silver serving wares, and the toys and dolls. The wood sun room and furniture is a reference to the forest which is part of Russia's national identity and also shows a connection to nature. It is furthermore an allusion to the more traditional ways of building, before the concrete constructions of the Soviet era. The curtains and doors of the house were all made of either lace or glass which indicates a degree of transparency yet also obstruction which is a reflection of Mitia's secret yet obvious agenda. The serving ware are used as a symbol throughout the film of wealth but more importantly also represent fragility. Marusia is seen several times trying to drink or eat from the china nervously, either tapping or shaking so that the china clinks. Although she is silent for the majority of the film, in this regard she is making a statement of her discomfort, using the china as a way to channel her emotions. The toys scattered around the house symbolize the way in which the men use and are used as puppets as well as the innocence and naivety of the family.Friday, February 20, 2009
Burnt by the Sun
The most intriguing aspect of Burnt by the Sun to me was the idyllic country house where the film took place - as a symbol, a metaphor, and as an aesthetic element. Some of the elements that caught my eye were the all wood interiors, lace curtains and glass doors, the china and silver serving wares, and the toys and dolls. The wood sun room and furniture is a reference to the forest which is part of Russia's national identity and also shows a connection to nature. It is furthermore an allusion to the more traditional ways of building, before the concrete constructions of the Soviet era. The curtains and doors of the house were all made of either lace or glass which indicates a degree of transparency yet also obstruction which is a reflection of Mitia's secret yet obvious agenda. The serving ware are used as a symbol throughout the film of wealth but more importantly also represent fragility. Marusia is seen several times trying to drink or eat from the china nervously, either tapping or shaking so that the china clinks. Although she is silent for the majority of the film, in this regard she is making a statement of her discomfort, using the china as a way to channel her emotions. The toys scattered around the house symbolize the way in which the men use and are used as puppets as well as the innocence and naivety of the family.
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